{"title":"Li-Jie Yu","description":"\u003cp\u003eUse the discount code provided by your teacher to take an additional 10% off any of the titles listed below.\u003c\/p\u003e","products":[{"product_id":"lutoslawski-dance-preludes-clarinet-piano-chester","title":"Lutoslawski, Witold_Dance Preludes","description":"","brand":"Chester","offers":[{"title":"Default Title","offer_id":12793804390477,"sku":"CH55171","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img012.jpg?v=1536354594"},{"product_id":"debussy-premiere-rhapsodie-durand","title":"Debussy, Claude_Première rhapsodie","description":"\u003cp\u003eThis revised edition replaces the previous 1910 edition.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(Previously published in 1910 with publisher code DD7636; the updated replacement edition in 2023 has a new publisher code of DD16818)\u003c\/span\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":12879085830221,"sku":"DD16818","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img189copy_2ba34d8b-3169-4c24-bd31-5a0ea4002b96.jpg?v=1745672282"},{"product_id":"schumann-fantasy-pieces-op-73-clarinet-piano-henle","title":"Schumann, Robert_Fantasiestücke, Op. 73","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":12900132061261,"sku":"HN416","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img580.jpg?v=1537843135"},{"product_id":"weber-clarinet-concerto-no-2-in-e-flat-major-op-74-henle","title":"Weber, Carl Maria von_Clarinet Concerto No. 2 in E-flat Major, Op. 74","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":12900162207821,"sku":"HN732","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img574.jpg?v=1537844044"},{"product_id":"weber-concertino-in-e-flat-major-op-26-j-109-henle","title":"Weber, Carl Maria von_Concertino in E-flat Major, Op. 26, J. 109","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":12900182720589,"sku":"HN718","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img570.jpg?v=1537844485"},{"product_id":"saint-saens-sonata-for-clarinet-piano-op-167-henle","title":"Saint-Saëns, Camille_Sonata for Clarinet \u0026 Piano, Op. 167","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":12912015441997,"sku":"HN965","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img586.jpg?v=1538084596"},{"product_id":"arnold-sonatina-clarinet-piano-lengnick","title":"Arnold, Malcolm_Sonatina, Op. 29","description":"","brand":"Lengnick","offers":[{"title":"Default Title","offer_id":12926384701517,"sku":"AL1000","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img095.jpg?v=1538425744"},{"product_id":"finzi-five-bagatelles-op-23-boosey-hawkes","title":"Finzi, Gerald_Five Bagatelles, Op. 23","description":"\u003cp\u003eThis edition consists of a piano score and solo clarinet part.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/edition-comparison\/finzi-five-bagatelles\" title=\"Finzi Five Bagatelles edition comparison\"\u003eCompare different editions of this work\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/people\/gerald-raphael-finzi\" title=\"Gerald Finzi biography\"\u003eGerald Raphael Finzi\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1901 – 1956) was an English composer.  In 1938, he wrote three pieces that would eventually become the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFive Bagatelles\u003c\/em\u003e.  After adding a fourth piece by January 1942, they were first performed on January 15, 1943 by Pauline Juler and Howard Ferguson in the National Gallery, London, England.  Later discussion with publisher Leslie Boosey (of Boosey \u0026amp; Hawkes) resulted in an additional final movement, and it was premiered by Juler and Ferguson in its full form at the same location in February 1944.\u003c\/p\u003e\n\u003cp\u003eAlthough within the reach of amateurs and developing clarinettists, the fine crafting of phrases, touches of fugal writing, and numerous modulations make the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBagatelles\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erewarding for seasoned performers.  The work presents a particularly effective mixture of folk-like melodies and brilliant, dance-like material, and its movements could be programmed individually.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehighest pitch = written G6\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eno ♯\/♭, 1♯, 2♯, 1♭, 2♭, 3♭\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3\/2, 4\/4, 3\/4, 6\/4, 6\/8, 9\/8\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFive Bagatelles\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare discussed in Albert Rice's book, \u003cem\u003eNotes for Clarinetists: A Guide to the Repertoire\u003c\/em\u003e, and interpretation suggestions are provided by David Campbell in The Clarinet magazine, Volume 26 No. 3.\u003c\/p\u003e\n\u003cp\u003eThe score has a transposed clarinet part, so it is possible to read directly.\u003c\/p\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":12933588189261,"sku":"M060030253","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img194.jpg?v=1538534538"},{"product_id":"hindemith-sonata-in-b-flat-major-clarinet-piano-schott","title":"Hindemith, Paul_Sonata in B-flat Major","description":"","brand":"Schott","offers":[{"title":"Default Title","offer_id":12938340597837,"sku":"ED3641","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img206.jpg?v=1538598879"},{"product_id":"polatschek-advanced-studies-for-the-clarinet-g-schirmer","title":"Polatschek, Victor_Advanced Studies for the Clarinet","description":"","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":12938895294541,"sku":"ED1909","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img012_e13bfba4-d0df-40ae-98ab-e2ba88bb11fc.jpg?v=1538605822"},{"product_id":"horovitz-sonatina-for-clarinet-piano-novello","title":"Horovitz, Joseph_Sonatina for Clarinet \u0026 Piano","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis edition doesn't have bar numbers for each line, but you can \u003c\/span\u003e\u003ca href=\"https:\/\/docs.google.com\/spreadsheets\/d\/e\/2PACX-1vQBuL4gpZqZuAE0e1bz_ATYPuu5oUb-I0uI7Gi9vbTuTsmxdzOl7rPp1HZsGatja5zZyIUUI-uTga37\/pubhtml\" title=\"Bar numbers\" style=\"font-size: 0.875rem;\" target=\"_blank\"\u003eget them right here\u003c\/a\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAndrew Simon provided corrections from Joseph Horovitz, given to him by the composer and dated 2008-9:\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eTempo Corrections:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMovement I:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ebar 1 tempo: crotchet (quarter-note) = 100\u003c\/li\u003e\n\u003cli\u003e2 bars before rehearsal D \u003cspan data-mce-fragment=\"1\"\u003e(Più moderato)\u003c\/span\u003e tempo: crotchet (quarter-note) = 84 (+)\u003c\/li\u003e\n\u003cli\u003e4 bars after rehearsal I (Più moderato) tempo: crotchet (quarter-note) = 84 (+)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMovement II: \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ebar 1 tempo: crotchet (quarter-note) = 56\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMovement III: \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ebar 1 tempo: minim (half-note) = 84 (+)\u003c\/li\u003e\n\u003cli\u003e2 bars after rehearsal D (Poco pi\u003cspan data-mce-fragment=\"1\"\u003eù moto) \u003c\/span\u003etempo: minim (half-note) = 90 (or 92)\u003c\/li\u003e\n\u003cli\u003eafter rehearsal F: stay in tempo until 6 bars after F; then, minim (half-note) = 84\u003c\/li\u003e\n\u003cli\u003erehearsal G tempo: minim (half-note) = 88\u003c\/li\u003e\n\u003cli\u003e7 bars after rehearsal H tempo: minim (half-note) = 92\u003c\/li\u003e\n\u003cli\u003eafter rehearsal I: stay in tempo until fourth bar after I. Then, minim (half-note) = 88\u003c\/li\u003e\n\u003cli\u003eAfter rehearsal L: ignore \"Tempo primo\"\u003c\/li\u003e\n\u003cli\u003eLast 6 bars tempo: minim (half-note) = 100. NO FASTER!\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003ePiano Part Corrections:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMovement I:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ebars 6, 22, and 10 bars after rehearsal J: left hand, last note = G-natural (not G-flat)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMovement III:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 bars before rehearsal G: right hand, last chord, top note = A-flat (not A-natural)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003ePianist Warren Lee, who worked with Simon, also received corrections from the composer at a later date (August 2014) which add more piano corrections and exhibit a few point of diversion compared to Simon's notes, listed below:\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eTempo Corrections:\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cstrong\u003eMovement III:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eat rehearsal F: delete ALL tempo indications until 3 bars before rehearsal M. At 3 bars before rehearsal M, change “animando sempre” to “Animando, poco a poco”\u003c\/li\u003e\n\u003cli\u003eat rehearsal N, change “ancor più vivo” to half-note = 100 (appunto!); delete all later tempo indications\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003ePiano Part Corrections:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan color=\"#212b36\" style=\"color: #212b36;\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\" style=\"font-family: apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cstrong\u003eMovement I:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003e 2 bars after rehearsal D, clarinet stave: first note = B-flat (not B-natural)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003e1 bar after rehearsal J: right hand, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003etenth note = E-natural (not E-flat)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003e9 bars after rehearsal J: right hand, eleventh note = D-natural (not D-flat)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003e\u003cstrong\u003eMovement II:\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan color=\"#212b36\"\u003e\u003cspan face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan size=\"2\"\u003e3 bars after rehearsal B (first bar of page 12): left hand should continue tied F from previous page\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Novello","offers":[{"title":"Default Title","offer_id":12939540037709,"sku":"NOV120541","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img016_ab0ec6a9-b1b2-450d-b872-ec85edc1f078.jpg?v=1538616677"},{"product_id":"48-studies-for-clarinet","title":"Uhl, Alfred_48 Studies for Clarinet","description":"","brand":"Schott","offers":[{"title":"Default Title","offer_id":12948560445517,"sku":"ED20627","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img078_b9ee995a-9ef0-41b6-88b1-e585af34ab0c.jpg?v=1538868079"},{"product_id":"weber-clarinet-concerto-no-1-in-f-minor-op-73-j-114-henle-urtext","title":"Weber, Carl Maria von_Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":13037179797581,"sku":"HN731","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img012_3e5e3f68-0b74-421c-9e50-c665dfc5725c.jpg?v=1540691091"},{"product_id":"larry-guy-complete-daniel-bonade-rivernote-press","title":"Bonade, Daniel_The Complete Daniel Bonade: Clarinetist’s Compendium, 16 Phrasing Studies, \u0026 Orchestral Studies","description":"\u003cp\u003eNow in its Second Edition, this collection includes three publications of Daniel Bonade in a single spiral-bound volume:\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003e\u003cstrong\u003eClarinetist’s Compendium\u003c\/strong\u003e\u003c\/em\u003e presents in concise form all the fundamental precepts of the Bonade school of clarinet playing, organized into sections of Tone Production, Phrasing, Articulation, Adjusting Reeds, and Recommended Course of Study.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003e\u003cstrong\u003e16 Phrasing Studies\u003c\/strong\u003e\u003c\/em\u003e selects the odd-numbered études from Rose's \u003cem\u003e32 Clarinet Études\u003c\/em\u003e, edited with Bonade's phrasing marks, dynamics, punctuation and interpretation.\u003c\/p\u003e\n\u003cp\u003eBonade's\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eOrchestral Studies\u003c\/strong\u003e\u003c\/em\u003e contains excerpts from 98 orchestral works commonly programmed in orchestras, with Bonade's edits \"...emphasizing correct articulation, phrasing marks, hints on interpretation and execution of well known solos and cadenzas.\"\u003c\/p\u003e\n\u003cp\u003eCompiler and editor Larry Guy fixed typographical errors, made necessary repaginations, and corrected many notes, rhythms, dynamics, and slur markings in the \u003cem\u003eOrchestral Studies; \u003c\/em\u003eall of Bonade’s phrasing suggestions were retained.  \u003c\/p\u003e\n\u003cp\u003eNote that any printings of Bonade's \u003cem\u003e16 Phrasing Studies\u003c\/em\u003e before December 2021 will have several errors; \u003cstrong\u003ethis Second Edition of \u003cem\u003eThe Complete Bonade \u003c\/em\u003efixes the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/phrasing_studies_edits_list.pdf?v=1641859035\" title=\"Complete Daniel Bonade 16 Phrasing Studies edits list\"\u003eerrors listed in this document\u003c\/a\u003e\u003c\/strong\u003e.  \u003c\/p\u003e\n\u003cp\u003eRivernote Press is an imprint published by CAMco Music, LLC.\u003c\/p\u003e","brand":"Rivernote Press","offers":[{"title":"Default Title","offer_id":20874098802765,"sku":"RIV5","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img1.jpg?v=1637689841"},{"product_id":"kroepsch-416-progressive-studies-book-4-26-exercises-carl-fischer","title":"Kroepsch, Fritz_416 Progressive Studies for Clarinet, Book 4: 26 Exercises","description":"\u003cp\u003eThis edition is Book 4 of 4 in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e416 Progressive Studies\u003c\/em\u003e, revised by Simeon Bellison. The other parts of the series are available from the same publisher:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-1-167-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 1\"\u003eBook 1: 167 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-2-183-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 2\"\u003eBook 2: 183 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-3-40-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 3\"\u003eBook 3: 40 Exercises\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/edition-comparison\/kroepsch-416-progressive-studies\" title=\"Kroepsch 416 Studies Edition Comparison\"\u003eCompare different editions of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eVery little is known about\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/people\/fritz-kroepsch\" title=\"Fritz Kroespch biography\"\u003eFritz Kroepsch\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(Kröpsch); Pamela Weston notes in her book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMore Clarinet Virtuosi of the Past\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethat he studied at the Vienna Conservatory from 1824 to 1826. \u003cspan\u003e Book 4 (#391–416) of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e contains 26 unique \"technique études\" which are almost entirely mechanical patterns without melodic content. Each is 1–2 pages in length and written in a particular key, including all 12 major and minor keys (plus a 13th enharmonic equivalent pair of G♭ Major\/E♭ Minor). Although they're essentially constructed from scales and arpeggios in widely varied configurations, each is made distinguishable by differences in mixed articulation, harmonic progression, large intervallic jumps, and sometimes ornaments. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eQuick facts\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e each exercise = 1 page (3 exercises are 2 pages)\u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written A6\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e no ♯\/♭, 1♯, 2♯, 3♯, 4♯, 5♯, 6♯, 1♭, 2♭, 3♭, 4♭, 5♭, 6♭\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e 2\/4, 3\/4, 4\/4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese are moderately challenging for the advanced clarinettist, and would be a good ending achievement for the student who has worked through the previous books 1–3. The organization by increasing sharps\/flats in the key signature is solely what gives this work an increasing difficulty progression. There is only slight variation in meter (4 exercises are in 3\/4, 4 exercises are in 2\/4, and the remaining 18 are in common time), and the highest pitch is an altissimo A6.  \u003c\/span\u003e\u003c\/p\u003e","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":20893702389837,"sku":"O315","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img179_26fa775c-e63d-4663-9c61-35eedf2902b5.jpg?v=1543351979"},{"product_id":"kroepsch-416-progressive-studies-book-3-40-exercises-carl-fischer","title":"Kroepsch, Fritz_416 Progressive Studies for Clarinet, Book 3: 40 Exercises","description":"\u003cp\u003eThis edition is Book 3 of 4 in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e416 Progressive Studies\u003c\/em\u003e, revised by Simeon Bellison. The other parts of the series are available from the same publisher:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-1-167-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 1\"\u003eBook 1: 167 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-2-183-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 2\"\u003eBook 2: 183 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-4-26-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 4\"\u003eBook 4: 26 Exercises\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/edition-comparison\/kroepsch-416-progressive-studies\" title=\"Kroepsch 416 Studies Edition Comparison\"\u003eCompare different editions of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eVery little is known about \u003ca href=\"\/blogs\/people\/fritz-kroepsch\" title=\"Fritz Kroespch biography\"\u003eFritz Kroepsch\u003c\/a\u003e (Kröpsch); Pamela Weston notes in her book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMore Clarinet Virtuosi of the Past\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethat he studied at the Vienna Conservatory from 1824 to 1826.  Book 3 (#351–390) of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e contains 3 different exercises, each written in all 12 major keys (plus a 13th enharmonic equivalent of G♭). The first (#1–13) is 16 measures of scales which pass through a harmonic progression (I–vi–IV–I) with varying articulation and, in a few instances, chromaticism and small intervallic breaks. The second (#14–26) is 18 measures of ascending scales with descending broken arpeggios which pass through a harmonic progression (I–vi–IV–ii–I) with varying articulation, scales in thirds, larger intervallic jumps, and chromaticism. The third (#27–39) is 24 measures of modulating broken arpeggios. The last page is an extra exercise (#40) of arpeggios modulating through all keys.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e each exercise = about 1\/2 page\u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written A♭6\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e no ♯\/♭, 1♯, 2♯, 3♯, 4♯, 5♯, 6♯, 1♭, 2♭, 3♭, 4♭, 5♭, 6♭\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e 4\/4\u003c\/p\u003e\n\u003cp\u003eAlthough each individual exercise is longer than those in Books 1 and 2, the technical demands here are confined to the most traditional of scale and chord patterns. Regular use of the altissimo, as high as an A♭6, means that these are best suited for an advancing intermediate clarinettist. The only time signature used is 4\/4.    \u003c\/p\u003e","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":20894487478349,"sku":"O314","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img212.jpg?v=1543363119"},{"product_id":"brahms-clarinet-sonatas-op-120-nos-1-2-henle-urtext","title":"Brahms, Johannes_Sonatas, Op. 120 Nos. 1 \u0026 2","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":20902382829645,"sku":"HN987","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img019_667954d9-5409-4e37-9d01-fb170de81f74.jpg?v=1543529737"},{"product_id":"poulenc-sonata-for-clarinet-piano-chester","title":"Poulenc, Francis_Sonata for Clarinet \u0026 Piano","description":"\u003ca href=\"\/products\/poulenc-sonata-for-clarinet-piano-audio-accompaniment-chester\" title=\"Poulenc Clarinet Sonata with CD audio\"\u003eThis edition is also available with audio accompaniment.\u003c\/a\u003e\u003ca href=\"https:\/\/www.clarinetallmusic.com\/products\/bernstein-sonata-for-clarinet-piano-with-audio-boosey-hawkes\" title=\"Bernstein Clarinet Sonata with CD audio\"\u003e\u003c\/a\u003e","brand":"Chester","offers":[{"title":"Default Title","offer_id":20931608248397,"sku":"CH70972","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img159_d892f495-b5cd-4de6-8da9-b43f2813e97d.jpg?v=1544225817"},{"product_id":"baermann-clarinet-method-op-63-div-iii-daily-studies-carl-fischer","title":"Baermann, Carl_Clarinet Method, Op. 63, Div. III (Daily Studies)","description":"","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":20948021706829,"sku":"CU15","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img310.jpg?v=1544833651"},{"product_id":"cavallini-30-caprices-for-clarinet-carl-fischer","title":"Cavallini, Ernesto_30 Caprices for Clarinet","description":"","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":21045536587853,"sku":"O106","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img397.jpg?v=1547000173"},{"product_id":"kroepsch-416-progressive-studies-book-2-183-daily-exercises-carl-fischer","title":"Kroepsch, Fritz_416 Progressive Studies for Clarinet, Book 2: 183 Daily Exercises","description":"\u003cp\u003eThis edition is Book 2 of 4 in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e416 Progressive Studies\u003c\/em\u003e, revised by Simeon Bellison. The other parts of the series are available from the same publisher:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-1-167-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 1\"\u003eBook 1: 167 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-3-40-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 3\"\u003eBook 3: 40 Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/products\/kroepsch-416-progressive-studies-book-4-26-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 4\"\u003eBook 4: 26 Exercises\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/edition-comparison\/kroepsch-416-progressive-studies\" title=\"Kroepsch 416 Studies Edition Comparison\"\u003eCompare different editions of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eVery little is known about \u003ca href=\"\/blogs\/people\/fritz-kroepsch\" title=\"Fritz Kroepsch biography\"\u003eFritz Kroepsch\u003c\/a\u003e (Kröpsch); Pamela Weston notes in her book \u003cem\u003eMore Clarinet Virtuosi of the Past\u003c\/em\u003e that he studied at the Vienna Conservatory from 1824 to 1826.  Book 2 (#168-350) of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e contains 183 \"micro-études\" which are organized by key.  Each key is given 2 pages of around one dozen short exercises; each exercise is about 3 measures long, is phrased with a simple harmonic progression, and is varied with dynamics, articulation, and chromaticism.  Because of their short length, they are suitable for technique study or warm-up material; one can choose a whole page, or focus on just a few.  As is indicated on the first page, \"Every exercise must be repeated from 4 to 8 times.\"  The organization by increasing sharps\/flats in the key signature is solely what gives this work an increasing difficulty progression.  The last page is an extra exercise of descending arpeggios with chromatic neighbors in all twelve major\/minor keys.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e each exercise = about 3 measures \u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written A♭6\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e 4♯, 5♯, 6♯, 3♭, 4♭, 5♭, 6♭\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e 2\/4, 3\/8, 4\/4\u003c\/p\u003e\n\u003cp\u003eThe technical demands are best for an intermediate clarinettist, especially considering the frequent leaps which sometimes exceed an octave.  Major and relative minor keys from E♭ Major up to 6 sharps\/flats are included (\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-1-167-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 1\"\u003eBook 1\u003c\/a\u003e contains all keys from no sharps\/flats up to 3 sharps).  The only time signature used is 4\/4, with very few exceptions.  The altissimo register is regularly employed, with the highest pitch in this volume an A♭6.  This entire Book 2 of the \u003cem\u003e416 Studies\u003c\/em\u003e is included in \u003ca href=\"\/products\/klose-complete-clarinet-method-carl-fischer-spiral-bound\" title=\"Carl Fischer Klose Complete Clarinet Method\"\u003eKlosé's Celebrated Clarinet Method\u003c\/a\u003e from the same publisher.\u003c\/p\u003e","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":21089285701709,"sku":"O313","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img023_4277b79c-6c90-4af5-a6f7-b9c98879c68b.jpg?v=1560719160"},{"product_id":"stravinsky-three-pieces-for-clarinet-solo-edited-by-hare-chester","title":"Stravinsky, Igor_Three Pieces for Clarinet Solo","description":"\u003cspan\u003e\u003ca href=\"\/blogs\/edition-comparison\/stravinsky-3-pieces-for-clarinet-alone\" title=\"Stravinsky 3 Pieces for clarinet alone edition comparison\"\u003eCompare different editions of this work\u003c\/a\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eQuick facts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e\u003cspan\u003e highest pitch = written G6\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e\u003cspan\u003e no ♯\/♭\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eI: 2\/4, 3\/4, 3\/8, 6\/8, 5\/8, 7\/8 (mostly 5\/8 and 2\/4)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eII: N\/A\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eIII: 2\/4, 2\/8, 3\/4, 3\/8, 3\/16, 4\/16, 5\/8, 5\/16 (mostly 2\/4, 3\/8, and 5\/16)\u003c\/div\u003e","brand":"Chester","offers":[{"title":"Default Title","offer_id":21106960924749,"sku":"CH01551","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img156_4011a776-91df-4908-9680-4bdde45b9c01.jpg?v=1548712601"},{"product_id":"weber-grand-duo-concertant-op-48-clarinet-piano-boosey-hawkes","title":"Weber, Carl Maria von_Grand Duo Concertant, Op. 48","description":"Note that both the clarinet part and piano score have some incorrect bar numbers marked in the second movement; you can get the \u003ca href=\"https:\/\/docs.google.com\/spreadsheets\/d\/e\/2PACX-1vQUD-VH-AImSAlXvr2xK5ukwRda975tBipS-LFxhIxrQ_65kuuNi5s1ofIHBSc_9-6T_aWhs3MFyeJx\/pubhtml\" target=\"_blank\" title=\"Bar Numbers\" rel=\"noopener noreferrer\"\u003ecorrect bar numbers for every line right here\u003c\/a\u003e.","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":21130358751309,"sku":"M060029509","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img268.jpg?v=1549150401"},{"product_id":"mozart-clarinet-concerto-in-a-major-k-622-urtext-barenreiter","title":"Mozart, Wolfgang Amadeus_Clarinet Concerto in A Major, K. 622","description":"","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":21159221264461,"sku":"BA4773-90","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img338.jpg?v=1549671933"},{"product_id":"osborne-rhapsody-for-unaccompanied-clarinet-peters","title":"Osborne, Willson_Rhapsody for Clarinet","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written D\u003cspan\u003e♭6\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eKey signature:\u003c\/strong\u003e no ♯\/♭\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTime signature:\u003c\/strong\u003e 2\/4, 3\/2, 3\/4, 4\/4, 5\/4, 5.5\/4, 16\/8\u003c\/div\u003e","brand":"Peters","offers":[{"title":"Default Title","offer_id":21168206741581,"sku":"EP6006","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img136_fa6034e1-9f5a-4a1a-8841-ec7719097d50.jpg?v=1549841051"},{"product_id":"kroepsch-416-progressive-studies-book-1-167-daily-exercises-carl-fischer","title":"Kroepsch, Fritz_416 Progressive Studies for Clarinet, Book 1: 167 Daily Exercises","description":"\u003cp\u003eThis edition is Book 1 of 4 in the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e, revised by Simeon Bellison. The other parts of the series are available from the same publisher:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-2-183-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 2\"\u003eBook 2: 183 Daily Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-3-40-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 3\"\u003eBook 3: 40 Exercises\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-4-26-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 4\"\u003eBook 4: 26 Exercises\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/edition-comparison\/kroepsch-416-progressive-studies\" title=\"Kroepsch 416 Studies Edition Comparison\"\u003eCompare different editions of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eVery little is known about \u003ca href=\"\/blogs\/people\/fritz-kroepsch\" title=\"Fritz Kroepsch biography\"\u003eFritz Kroepsch\u003c\/a\u003e (Kröpsch); Pamela Weston notes in her book \u003cem\u003eMore Clarinet Virtuosi of the Past\u003c\/em\u003e that he studied at the Vienna Conservatory from 1824 to 1826.  Book 1 (#1–167) of the \u003cem\u003e416 Progressive Studies\u003c\/em\u003e contains 167 \"micro-études\" which are organized by key.  Each key is given 2 pages of around one dozen short exercises; each exercise is about 3 measures long, is phrased with a simple harmonic progression, and is varied with dynamics, articulation, and chromaticism.  Because of their short length, they are suitable for technique study or warm-up material; one can choose a whole page, or focus on just a few.  As is indicated on the first page, \"Every exercise must be repeated from 4 to 8 times.\"  The organization by increasing sharps\/flats in the key signature is solely what gives this work an increasing difficulty progression.  The last 2 pages are an extra exercise of winding scalar sextuplets \"to be executed in quick tempo.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e each exercise = about 3 measures \u003cbr\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written G6\u003cbr\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e no ♯\/♭, 1♯, 2♯, 3♯, 1♭, 2♭\u003cbr\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e 4\/4, 9\/8, 12\/8\u003c\/p\u003e\n\u003cp\u003eThe technical demands are best for an intermediate clarinettist, especially considering the frequent leaps which sometimes exceed an octave.  Major and relative minor keys up to 3 sharps are included (\u003ca href=\"\/products\/kroepsch-416-progressive-studies-book-2-183-daily-exercises-carl-fischer\" title=\"Kroepsch 416 Studies, Book 2\"\u003eBook 2\u003c\/a\u003e continues from 3 flats up to 6 sharps\/flats).  The only time signature used is 4\/4, with very few exceptions.  The altissimo register is regularly employed, with the highest pitch in this volume a G6.\u003c\/p\u003e","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":21242970112077,"sku":"O312","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img209_3382baa5-1efa-4dd8-900c-9036d1c4258b.jpg?v=1550844377"},{"product_id":"kovacs-hommages-for-clarinet-edition-darok","title":"Kovács, Béla_Hommages for Clarinet","description":"","brand":"Darok","offers":[{"title":"Default Title","offer_id":28732972990541,"sku":"EDL2103","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img376.jpg?v=1597165945"},{"product_id":"hadcock-the-working-clarinetist-orchestral-excerpts-roncorp-publications","title":"Hadcock, Peter_The Working Clarinetist","description":"\u003cp\u003eBartók Suite from The Miraculous Mandarin, Op. 19\u003cbr\u003eBeethoven Symphony No. 4\u003cbr\u003eBeethoven Symphony No. 6 ‘Pastoral’\u003cbr\u003eBeethoven Symphony No. 8\u003cbr\u003eBernstein Three Dance Episodes from \"On the Town\" (E-flat Clarinet)\u003cbr\u003eBorodin Prince Igor\u003cbr\u003eBrahms Symphony No. 1\u003cbr\u003eBrahms Symphony No. 2\u003cbr\u003eBrahms Symphony No. 3\u003cbr\u003eBrahms Symphony No. 4\u003cbr\u003eCopland El Salon Mexico (E-flat Clarinet)\u003cbr\u003eKodály Dances of Galánta\u003cbr\u003eMahler Symphony No. 4\u003cbr\u003eMendelssohn  A Midsummer Night's Dream\u003cbr\u003eMendelssohn Symphony No. 3 ‘Scottish’\u003cbr\u003eMendelssohn Symphony No. 4 ‘Italian’\u003cbr\u003eNielsen Symphony No. 5\u003cbr\u003eProkofiev Peter and the Wolf\u003cbr\u003eRachmaninoff Symphony No. 2\u003cbr\u003eRavel Daphnis et Chloé Suite No. 2\u003cbr\u003eRimsky-Korsakov Capriccio espagnole\u003cbr\u003eRimsky-Korsakov Le Coq d’Or Suite\u003cbr\u003eRimsky-Korsakov Sheherazade\u003cbr\u003eShostakovich Symphony No. 1\u003cbr\u003eShostakovich Symphony No. 9\u003cbr\u003eSibelius Symphony No. 1\u003cbr\u003eStravinsky Firebird Suite (1919)\u003cbr\u003eStravinsky Petrushka\u003cbr\u003eTchaikovsky Symphony No. 4\u003cbr\u003eTchaikovsky Symphony No. 5\u003cbr\u003eTchaikovsky Symphony No. 6 ‘Pathétique’\u003cbr\u003e\u003c\/p\u003e","brand":"Roncorp Publications","offers":[{"title":"Default Title","offer_id":29237087076429,"sku":"N1001","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img861.jpg?v=1687467398"},{"product_id":"kell-17-clarinet-staccato-studies-international","title":"Kell, Reginald_17 Staccato Studies","description":"\u003cp\u003e\u003cstrong\u003eThis title is currently out of stock. You may reserve an incoming copy by purchasing it now, and it will ship as soon as it becomes available. \u003c\/strong\u003e\u003c\/p\u003e","brand":"International Music Company","offers":[{"title":"Default Title","offer_id":32022236987469,"sku":"IMC1554","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img210_723b2cbd-78de-4b55-aae4-009f55b1cd2f.jpg?v=1582603406"},{"product_id":"muczynski-time-pieces-op-43-clarinet-piano-presser","title":"Muczynski, Robert_Time Pieces, Op. 43","description":"","brand":"Theodore Presser Company","offers":[{"title":"Default Title","offer_id":32049096818765,"sku":"11440410","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img413.jpg?v=1583037985"},{"product_id":"baermann-method-op-63-division-3-alto-bass-clarinet-southern","title":"Baermann, Carl_Clarinet Method, Op. 63, Div. III (Daily Studies)","description":"","brand":"Southern Music","offers":[{"title":"Default Title","offer_id":33024695402573,"sku":"B405","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img313_afe0292e-60a2-48d0-841d-3a7eaf660e26.jpg?v=1599768715"},{"product_id":"rose-32-and-40-etudes-for-clarinet-dover","title":"Rose, Cyrille_32 Études \u0026 40 Études for Clarinet","description":"\u003cp\u003eThis edition consists of a collection of 2 étude books by Cyrille Rose in a single volume:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e32 Études\u003c\/em\u003e, adapted from Ferling's \u003cem\u003e48 Études, Op. 31 (\u003ca title=\"Rose 32 Clarinet Etudes edition comparison CAMco\" href=\"\/blogs\/edition-comparison\/rose-32-clarinet-etudes\"\u003e\u003cstrong\u003ecompare different editions of this work\u003c\/strong\u003e\u003c\/a\u003e)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e40 Études\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003eadapted from works of Dancla, Riorillo, Gaviniès, Kreutzer, Mazas, Ries, and Schubert\u003c\/p\u003e\n\u003cp\u003eCAMco additionally offers a more detailed edition comparison of the Rose 32 through \u003cem\u003e\u003ca title=\"CAMco The Rose Report comparison 32 Clarinet Etudes\" href=\"https:\/\/clarinetallmusic.myshopify.com\/blogs\/knowledge\/camco-rose-report-32-clarinet-etudes-comparison\"\u003eThe Rose Report\u003c\/a\u003e\u003c\/em\u003e.\u003c\/p\u003e","brand":"Dover Publications","offers":[{"title":"Default Title","offer_id":33095253295181,"sku":"6457303","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img186_97ef997a-ff49-498e-a9e0-d43e8d6a0538.jpg?v=1601912756"},{"product_id":"schumann-3-romances-op-94-clarinet-piano-arrangement-henle","title":"Schumann, Robert_Drei Romanzen, Op. 94","description":"","brand":"Henle","offers":[{"title":"Default Title","offer_id":44904914583802,"sku":"HN442","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img898_0cc8d715-de61-4319-b8a7-7a212b892f1c.jpg?v=1703018066"},{"product_id":"copeland-mcilwain-body-mapping-clarinetists-gia","title":"Various_Body Mapping for Clarinetists","description":"\u003ch4\u003eFrom the back cover:\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\"Clarinetists devote hours to honing their craft—from learning correct fingerings, embouchure, and tonguing, to the history of the instrument, music theory, and musicianship.\u003c\/p\u003e\n\u003cp\u003eWhile there are many ways to approach playing the clarinet, almost all emphasize the clarinet as the musical instrument but do not consider how the body supports movement for making music. What if instead we viewed the body as the instrument and the clarinet as a tool?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBody Mapping for Clarinetists,\u003c\/em\u003e written by two Body Mapping and Alexander Technique specialists, approaches clarinet playing from a full body perspective. Authors Shawn L. Copeland and Jackie McIlwain show how healthy, coordinated movement leads to more expressive music making while preventing injury.\u003c\/p\u003e\n\u003cp\u003eAll sound is the result of movement. When playing clarinet, the release of air causes the reed to vibrate. The movement of the facial muscles shapes the embouchure. The movement of the fingers creates pitch and rhythm. And our thoughts initiate and organize these movements.\u003c\/p\u003e\n\u003cp\u003eWe work best when our whole body is integrated and coordinated around a musical intention. This book will guide clarinetists back to bodily wholeness, resulting in healthier bodies, improved technique, and better music making.\"\u003c\/p\u003e\n\u003cp\u003eA list of the table of contents' headings appears below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 1 - Introduction\u003c\/strong\u003e\u003cbr\u003eMovement\u003cbr\u003eSomatics: The Study of the Body in Movement\u003cbr\u003ePreparing for Change\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 2 - Attention\u003c\/strong\u003e\u003cbr\u003eAwareness, Attention, and Attention Strategies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 3 - Body Mapping: Mapping Balance\u003c\/strong\u003e\u003cbr\u003eIntroductory Vocabulary\u003cbr\u003eBalance vs. Posture\u003cbr\u003eMapping Balance: The Foot, Knee, Pelvis and Hip Joints, The Spine as the Core of the Body, The Arm\u003cbr\u003eThe Primary Movement and the Clarinet\u003cbr\u003ePutting It All Together: Load Distribution, Balance, and Movement\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 4 - Mapping the Structures and Movement of Breathing\u003c\/strong\u003e\u003cbr\u003eBreathing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 5 - Body Mapping and Playing the Clarinet\u003c\/strong\u003e\u003cbr\u003eNew Frontiers in Clarinet Pedagogy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSection 6 - Mapping the Whole Self\u003c\/strong\u003e\u003cbr\u003eSelf Mapping\u003cbr\u003eConnecting Your Artist Self With Your Whole Self\u003cbr\u003eLearning to Shape Your Own Thinking! Mapping the Practice Session\u003cbr\u003eConclusions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GIA Publications","offers":[{"title":"Default Title","offer_id":44909384040698,"sku":"G10807","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/340x340_231201f3bc018d588d2966a125443261130f9f.png?v=1703115987"},{"product_id":"voxman-selected-studies-clarinet-rubank","title":"Various_Selected Studies for Clarinet","description":"\u003cp\u003eIncludes material adapted by Himie Voxman from the following composers:\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach\u003cbr\u003eCarl Baermann\u003cbr\u003eFriedrich Berr\u003cbr\u003eHenri Bertini \/ Bender\u003cbr\u003eFranz Wilhelm Ferling \/ Cyrille Rose\u003cbr\u003eGiovanni Battista Gambaro\u003cbr\u003eGustav Adolf Heinze\u003cbr\u003eJohann Kellner\u003cbr\u003eRobert Kietzer\u003cbr\u003eHyacinthe Klosé\u003cbr\u003eRodolphe Kreutzer\u003cbr\u003eJohann-Heinrich Luft\u003cbr\u003eJacques Féréol Mazas\u003cbr\u003eIwan Müller\u003cbr\u003eLudwig Wiedemann\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rubank","offers":[{"title":"Default Title","offer_id":47478437609722,"sku":"RUBL78","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img456_copy.jpg?v=1751636622"},{"product_id":"jeanjean-16-etudes-modernes-clarinet-leduc","title":"Jeanjean, Paul_16 Études Modernes","description":"","brand":"Alphonse Leduc","offers":[{"title":"Default Title","offer_id":48156173533434,"sku":"AL20899","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img310_copy.jpg?v=1766606332"},{"product_id":"bach-cello-suites-bass-clarinet-transcription-dorff-presser","title":"Bach, Johann Sebastian_6 Cello Suites, BWV 1007–1012","description":"\u003cp\u003eThis edition consists of Johann Sebastian Bach's \u003cem\u003e6 Cello Suites\u003c\/em\u003e, BWV 1007–1012, transcribed for bass clarinet by Daniel Dorff. 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