{"title":"Fingerings","description":"","products":[{"product_id":"opperman-extended-working-range-clarinet-fingering-chart-carl-fischer","title":"Opperman, Kalmen_The New Extended Working Range for Clarinet: A Comprehensive Fingering Guide","description":"","brand":"Carl Fischer","offers":[{"title":"Default Title","offer_id":21092096344141,"sku":"W2634","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img160_462961e3-ed89-4677-9efc-357759b2d542.jpg?v=1548452902"},{"product_id":"ridenour-comprehensive-b-flat-clarinet-fingering-chart","title":"Ridenour, Thomas_Clarinet Fingerings: A Comprehensive Guide for the Performer \u0026 Educator","description":"","brand":"Ridenour Clarinet Products","offers":[{"title":"Default Title","offer_id":21238184214605,"sku":"RIDfinger","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img370_b300e33e-4b37-4bfa-bd92-73b120d72233.jpg?v=1550786370"},{"product_id":"bass-alto-contralto-clarinet-full-range-fingering-trill-chart-kjos","title":"Various_Bass\/Alto\/Contralto Clarinet Full Range Fingering \u0026 Trill Chart","description":"","brand":"Kjos","offers":[{"title":"Default Title","offer_id":28412301574221,"sku":"W33CLB","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img462.jpg?v=1560100064"},{"product_id":"clarinet-full-range-fingering-trill-chart-kjos","title":"Various_Clarinet Full Range Fingering \u0026 Trill Chart","description":"","brand":"Kjos","offers":[{"title":"Default Title","offer_id":28412317859917,"sku":"W33CL","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img461.jpg?v=1560100383"},{"product_id":"sarah-watts-spectral-immersions-metropolis-music-publishers","title":"Watts, Sarah_Spectral Immersions","description":"\u003cp\u003eThe audio tracks are available on the \u003ca href=\"https:\/\/ummpstore.com\/products\/watts-spectral-immersions-a-comprehensive-guide-to-the-theory-and-practice-of-bass-clarinet-multiphonics\" rel=\"noopener\" target=\"_blank\"\u003epublisher's website, here\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlso available from Sarah Watts: \u003c\/span\u003e\u003cem\u003e\u003ca href=\"\/products\/watts-multiphonic-miniatures-bass-clarinet-alry\" title=\"Watts Multiphonic Miniatures for Bass Clarinet etudes\"\u003eMultiphonic Miniatures for Bass Clarinet\u003c\/a\u003e,\u003c\/em\u003e\u003cspan\u003e a book of 24 études which provide an opportunity to learn this technique.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metropolis Music Publishers","offers":[{"title":"Default Title","offer_id":30438750224461,"sku":"EM6917","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img576_4f9c00e6-51f1-4d26-bd60-03c6ac17aadd.jpg?v=1570574786"},{"product_id":"volta-fingering-chart-for-bass-clarinet-imd","title":"Volta, Jean-Marc_Fingering Chart for Bass Clarinet","description":"","brand":"International Music Diffusion","offers":[{"title":"Default Title","offer_id":32323941433421,"sku":"IMD205","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img542_412e93c6-84b4-482e-b3ba-481749dfa5dd.png?v=1587481536"},{"product_id":"volta-fingering-chart-for-clarinet-imd","title":"Volta, Jean-Marc_Fingering Chart for Clarinet","description":"","brand":"International Music Diffusion","offers":[{"title":"Default Title","offer_id":32323988258893,"sku":"IMD204","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img543_7e874745-0ff7-4288-94ee-523730a2e9d3.png?v=1587481737"},{"product_id":"manuel-gangl-fingering-chart-for-clarinet-german-system","title":"Gangl, Manuel_Manuel Gangl’s Fingering Chart for Clarinet: German System","description":"","brand":"Manuel Gangl Verlag","offers":[{"title":"Default Title","offer_id":39746504884423,"sku":"MGFCGS","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img458_c0e1995b-3135-4f1e-a0f2-873c3fb391da.png?v=1618872976"},{"product_id":"hudson-zare-cuong-elements-contemporary-clarinet-technique-22-etudes-conway","title":"Various_Elements of Contemporary Clarinet Technique","description":"\u003cp\u003eThis edition consists of 22 études composed by Roger Zare (one étude, No. 19, is written by Viet Cuong), each accompanied by \"masterclass\" commentary by Andy Huson.  Eric Mandat explains in the foreword that the études are substantial enough to stand as solo compositions in their own right.  They are inspired by the Periodic Table of Elements, and each focuses on a particular clarinet technique, with the final three combining various techniques explored previously:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChapter 1, Études 1–2:\u003c\/strong\u003e Breath control\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 2, Études 3–4:\u003c\/strong\u003e Slurs\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 3, Theme \u0026amp; Variations; Études 5–8:\u003c\/strong\u003e Quarter tones\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 4, Études 9–10:\u003c\/strong\u003e Glissandi\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 5, Études 11–12:\u003c\/strong\u003e Circular breathing\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 6, Études 13–14:\u003c\/strong\u003e Single tonguing\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 7, Étude 15:\u003c\/strong\u003e Flutter tonguing, growling, \u0026amp; timbre trills\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 8, Études 16–17:\u003c\/strong\u003e Double \u0026amp; slap tonguing\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 9, Études 18–19:\u003c\/strong\u003e Multiphonics\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eChapter 10, Études 20–22:\u003c\/strong\u003e \"Compound Performance Études\" (combining concepts)\u003c\/p\u003e\n\u003cp\u003eEach étude is 1–2 pages long (the last few are slightly longer, at 3–4 pages each).  They are suitable for an advanced player, or a driven intermediate player who aims to learn \"extended techniques\" like quarter-tones, gliassandi, slap tonguing, etc.  All but 3 études make frequent use of the altissimo register.  The technical demands are great enough that the publication would likely not fit a traditional weekly assignment schedule; instead, Mandat suggests concentrating simultaneously on all études in a given chapter for an extended period of time to properly develop a particular technique\/concept.  As Hudson writes, the benefit of studying these modern-sounding études is not merely honing extended techniques, but more so gaining creative flexibility and expanding one's musical vocabulary. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eQuick facts\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRange:\u003c\/strong\u003e highest pitch = written B6\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKey signature:\u003c\/strong\u003e no  ♯\/♭\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTime signature:\u003c\/strong\u003e 2\/2, 3\/2, 4\/2, 2\/4, 3\/4, 4\/4, 5\/4, 5.5\/4, 2\/8, 3\/8, 5\/8, 6\/8, 7\/8, 8\/8, 9\/8, 12\/8, 5\/16, 6\/16\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtended techniques:\u003c\/strong\u003e multiphonics, microtones, timbral trill, growl, slap tongue, flutter tongue, glissando pitch bend, spatial notation (étude #11)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery étude has substantial adjoined commentary, usually at least 4 pages long, and split into two sections:\u003c\/p\u003e\n\u003cp\u003eThe first section lists precisely three \"core concepts\" to guide one's approach; for example, Étude #10 includes the following headings: \"(1) The glissando as an expressive tool; (2) Managing the current of cascading energies; (3) Alternate fingerings: when, where, and how?\"  Each concept offers engaging anecdotes and helpful strategies to master whatever techniques an étude demands.\u003c\/p\u003e\n\u003cp\u003eThe commentary's second section, titled \"Elements of Successful Performance,\" is a bar-by-bar (or line-by-line) walkthrough of the étude with specific, detailed suggestions for execution and interpretation.\u003c\/p\u003e\n\u003cp\u003eFingering charts are included alongside each étude which uses quarter-tones or multiphonics; the multiphonics fingerings are marked directly above the corresponding notation in the actual music for easy reference.  A complete quarter-tone fingering chart is also included in the back of the book.\u003c\/p\u003e","brand":"Conway Publications","offers":[{"title":"Default Title","offer_id":40667811905735,"sku":"CP00100312","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img659_e38780a7-62b2-49b4-8937-8700b7111b17.jpg?v=1628725103"},{"product_id":"bartolozzi-garbarino-metodo-per-clarinetto-zerboni","title":"Garbarino, Giuseppe_Clarinet Method","description":"","brand":"Suvini Zerboni","offers":[{"title":"Default Title","offer_id":42353288904954,"sku":"ESZ8072","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img276_60de98a4-948b-4c68-93f0-7a0ff1c42c0c.jpg?v=1642870356"},{"product_id":"zare-hudson-space-bass-clarinet-etudes-conway","title":"Various_Space Bass","description":"\u003cp\u003eThis edition consists of 13 études composed by Roger Zare, each accompanied by \"masterclass\" commentary by Andy Hudson.  \u003c\/p\u003e\n\u003cp\u003eThey are inspired by cosmic space, and organized into four areas of extended technique, with the final three \u003cspan\u003eétudes \u003c\/span\u003ecombining various techniques explored previously (the first four études have no extended techniques):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGalaxy 1: Registers \u0026amp; Connections\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e1. Dark Matter:\u003c\/strong\u003e Low register\u003cbr\u003e\u003cstrong\u003e2. Pale Blue Dot:\u003c\/strong\u003e Altissimo register\u003cbr\u003e\u003cstrong\u003e3. Apollo:\u003c\/strong\u003e Large upward leaps\u003cbr\u003e\u003cstrong\u003e4. One Small Step:\u003c\/strong\u003e Large downward leaps\u003cbr\u003e\u003cem\u003eGalaxy 2: Articulations \u0026amp; Color Effects\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e5. Big Bang (...with Galileo in the Garden of Eden):\u003c\/strong\u003e Slap tongue\u003cbr\u003e\u003cstrong\u003e6. In Memoriam, Pluto: \u003c\/strong\u003eKey clicks, air sounds\u003cbr\u003e\u003cstrong\u003e7. Spaghettification: \u003c\/strong\u003eFlutter tongue, growl, timbre trills\u003cbr\u003e\u003cem\u003eGalaxy 3: Multiphonics \u0026amp; Singing\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e8. Nebula:\u003c\/strong\u003e Multiphonics\u003cbr\u003e\u003cstrong\u003e9. Supernova:\u003c\/strong\u003e Spectral multiphonics\u003cbr\u003e\u003cstrong\u003e10. The Golden Record:\u003c\/strong\u003e Singing while playing\u003cbr\u003e\u003cem\u003eGalaxy 4: Exploratory Études\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e11. Luna\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e12. I Want to Believe \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e13. …for the benefit of all mankind. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost of the études are 2–3 pages long; 4 of the études are longer, at 4–7 pages long.  They are suitable for an advanced player, or a driven intermediate player who aims to learn extended techniques like slap tonguing, multiphonics, flutter tonguing, etc.  Jeff Anderle's foreword advises to work on new techniques in 5-minute increments every day and to cultivate a mindset that treats mistakes as opportunities for growth—all the more important when pushing into personal \"uncharted territory\" of one's technique.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEvery étude has substantial adjoined commentary, usually at least 5 pages long, and split into two sections:\u003c\/p\u003e\n\u003cp\u003eThe first section lists precisely three \"core concepts\" to guide one's approach; for example, Étude #3 includes the following headings: \"(1) Embracing 'the Trampoline'; (2) Deploying a clear, consistent articulation; (3) Learning to master the direction of 'the bow.' \"  Each concept offers engaging anecdotes and helpful strategies to master whatever techniques an étude demands.\u003c\/p\u003e\n\u003cp\u003eThe commentary's second section, cheekily titled \"Preparing to Launch,\" is a bar-by-bar (or line-by-line) walkthrough of the étude with specific, detailed suggestions for execution and interpretation.\u003c\/p\u003e\n\u003cp\u003eThe appendix materials are as follows:\u003cbr\u003eA: Altissimo Fingering Chart\u003cbr\u003eB: How to Circular Breathe\u003cbr\u003eC: Guide to Understanding Bass Clarinet Clef Notation, by Jason Alder\u003cbr\u003eD: Dear Composer (Thoughts on Notation and Performance)\u003cbr\u003eE: Quarter Tone Fingering Chart \u003cbr\u003eOf particular note is Alder's thorough explanation of the four notational practices used when composing for bass clarinet (including several examples from actual music), and the instructions for how (and when) to circular breathe.\u003c\/p\u003e\n\u003cp\u003eFingering charts are included alongside each étude which uses quarter-tones or multiphonics; the multiphonics fingerings are marked directly above the corresponding notation in the actual music for easy reference.\u003c\/p\u003e","brand":"Conway Publications","offers":[{"title":"Default Title","offer_id":43700456030458,"sku":"CP00100316","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/products\/img931.jpg?v=1669595859"},{"product_id":"alder-contrabass-clarinet-fingering-chart-quarter-tone-altissimo","title":"Alder, Jason_Contrabass Clarinet Quarter-Tone \u0026 Altissimo Fingering Chart","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis edition is available in both physical book and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.clarinetallmusic.com\/pages\/faq-help#digitalproducts\" title=\"CAMco digital download product policies\" data-mce-fragment=\"1\"\u003edigital PDF formats\u003c\/a\u003e; carefully choose from the options above before adding to your cart.  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(PDF products will be delivered via email within one business day)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJason Alder also has fingering charts available for \u003ca href=\"\/products\/alder-b-flat-clarinet-fingering-chart-quarter-tone-altissimo\" title=\"Jason Alder B-flat clarinet fingering chart\"\u003eB-flat clarinet\u003c\/a\u003e and \u003ca title=\"Jason Alder Bass clarinet fingering chart\" href=\"\/products\/alder-bass-clarinet-fingering-chart-quarter-tone-altissimo\"\u003ebass clarinet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFrom the author:\u003c\/p\u003e\n\u003cp\u003e\"Following the success of my clarinet and, in particular, bass clarinet quarter-tone and altissimo fingering charts, I have produced new charts for contrabass clarinet. The focus of these have been the extended range low C models produced by Leblanc, Selmer, and Eppelsheim. Due to the non-standardized design and keywork functionality of these instruments, completely separate charts are required for each model. Players with low E♭ models such as those by Vito and Leblanc may also find these as a useful starting point to discover necessary fingerings, however they have not been tested on these instruments.\u003c\/p\u003e\n\u003cp\u003eOne striking difference of the contrabass clarinet fingering charts to those previously for clarinet and bass clarinet is the lack of quarter-tone fingerings in the chalumeau and clarion registers. The reason for this is that suitable fingerings are just not available in this range. Fingering changes can result in timbral and microtonal changes, but in the contrabass register the pitches are too far away from each for effective true quarter-tone fingerings. If quarter-tones are needed in this range, a combination of fingering, embouchure, and voicing adjustments need to be made. As this introduces far too many personal variables, it is ineffectual to create fingerings for them. The upper register is far more flexible, however, so the quarter-tones begin there.”\u003c\/p\u003e","brand":"AMA Editions","offers":[{"title":"Physical Book","offer_id":44309043577082,"sku":"AMA005","price":16.0,"currency_code":"USD","in_stock":true},{"title":"PDF","offer_id":44309043609850,"sku":"AMA005PDF","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Physical Book + PDF","offer_id":44309043642618,"sku":"AMA005COMBO","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img_Page_01_d477f19d-c488-49f9-9969-3f667f41b2c7.jpg?v=1688154795"},{"product_id":"alder-bass-clarinet-fingering-chart-quarter-tone-altissimo","title":"Alder, Jason_Bass Clarinet Quarter-Tone \u0026 Altissimo Fingering Chart","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis edition is available in both physical book and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.clarinetallmusic.com\/pages\/faq-help#digitalproducts\" title=\"CAMco digital download product policies\"\u003edigital PDF formats\u003c\/a\u003e; carefully choose from the options above before adding to your cart.  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(PDF products will be delivered via email within one business day)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJason Alder also has fingering charts available for \u003ca href=\"\/products\/alder-b-flat-clarinet-fingering-chart-quarter-tone-altissimo\" title=\"Jason Alder B-flat clarinet fingering chart\"\u003eB-flat clarinet\u003c\/a\u003e and \u003ca title=\"Jason Alder Contrabass fingering chart\" href=\"\/products\/alder-contrabass-clarinet-fingering-chart-quarter-tone-altissimo\"\u003econtrabass clarinet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFrom the author:\u003c\/p\u003e\n\u003cp\u003e\"Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Chart, and in that time I have seen its popularity grow enormously. Many people have relied on it for their fingerings, university clarinet teachers are using it in their studios, and the chart and fingering diagram have been cited in numerous papers and publications. In that time, I have also released two editions of a quarter-tone chart for clarinet with a third releasing simultaneously to this one, and most recently a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.\u003c\/p\u003e\n\u003cp\u003eThe first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.\u003c\/p\u003e\n\u003cp\u003eThe next big change is the addition of 138 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and\/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.\u003c\/p\u003e\n\u003cp\u003eMy original charts were made using a Buffet Prestige bass clarinet, but I have since changed to a Selmer Privilege instrument. One particular difference with this instrument is the articulated C♯\/G♯ mechanism, which does not allow the key to open when either of the first two fingers of the right hand are down. Some of the fingering additions were to accommodate instruments with an articulated mechanism, and previous fingerings that will not work on instruments with one have been marked as such. The biggest obstacle with this mechanism is for written C4-quarter-sharp, which has no suitable alternative. Another difference is with the thumb key configuration. On the Buffet Prestige and many other instruments, the top key is an alternate for low D3, whereas on a Selmer Privilege and Buffet Tosca it is an alternate for low E♭3. While it’s not possible to cater to every different keywork layout configuration, I decided to remove fingerings which use this key in favor of those using an alternate one.\"\u003c\/p\u003e","brand":"AMA Editions","offers":[{"title":"Physical Book","offer_id":44309098463482,"sku":"AMA003","price":9.0,"currency_code":"USD","in_stock":true},{"title":"PDF","offer_id":44309098496250,"sku":"AMA003PDF","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Physical Book + PDF","offer_id":44309098529018,"sku":"AMA003COMBO","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img_Page_01_221c6eba-422e-43a2-ad0f-6fcc7a0e868a.jpg?v=1688156162"},{"product_id":"alder-b-flat-clarinet-fingering-chart-quarter-tone-altissimo","title":"Alder, Jason_Clarinet Quarter-Tone \u0026 Altissimo Fingering Chart","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis edition is available in both physical book and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.clarinetallmusic.com\/pages\/faq-help#digitalproducts\" title=\"CAMco digital download product policies\" data-mce-href=\"https:\/\/www.clarinetallmusic.com\/pages\/faq-help#digitalproducts\"\u003edigital PDF formats\u003c\/a\u003e; carefully choose from the options above before adding to your cart.  \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(PDF products will be delivered via email within one business day)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJason Alder also has fingering charts available for \u003ca href=\"\/products\/alder-bass-clarinet-fingering-chart-quarter-tone-altissimo\" title=\"Jason Alder Bass clarinet fingering chart\"\u003ebass clarinet\u003c\/a\u003e and \u003ca title=\"Jason Alder Contrabass fingering chart\" href=\"\/products\/alder-contrabass-clarinet-fingering-chart-quarter-tone-altissimo\"\u003econtrabass clarinet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom the author:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and\/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.\"\u003c\/p\u003e","brand":"AMA Editions","offers":[{"title":"Physical Book","offer_id":44309112062202,"sku":"AMA004","price":9.0,"currency_code":"USD","in_stock":true},{"title":"PDF","offer_id":44309112094970,"sku":"AMA004PDF","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Physical Book + PDF","offer_id":44309112127738,"sku":"AMA004COMBO","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img_Page_01_a0d919f4-c5e9-4f28-b523-07bb8ef5e687.jpg?v=1688156623"},{"product_id":"sim-303-clarinet-fingerings-276-trills-queens-temple","title":"Sim, Alan_303 Clarinet Fingerings \u0026 276 Trills","description":"\u003cp\u003eFrom the publisher:\u003c\/p\u003e\n\u003cp\u003e\"The author, Alan Sim, has enjoyed a career both as a performing musician and as a research engineer. His study of clarinet fingerings has led to this book which should be of value to students, to performers, and to the simply curious!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is an organized collection of 303 fingerings for 52 chromatic notes rising to the altississimo G two octaves above the stave! These are supported by 276 fingerings for half- and whole-tone trills.\u003c\/p\u003e\n\u003cp\u003eIn addition there are 8 pages of critical discussion of factors affecting tone and intonation, and liberal comments are given on every page to assist in comparing and evaluating the alternative fingerings.\u003c\/p\u003e\n\u003cp\u003eAll fingerings are displayed schematically by diagrams that enable instant interpretation at a glance without having to recall the meanings of various numbers and letters. Many have symbols to indicate qualitative features such as sharpness or dullness.\u003c\/p\u003e\n\u003cp\u003eThe fingerings are valid for soprano Boehm system clarinets in B\u003cspan\u003e♭ \u003c\/span\u003eand A having 17 keys and 6 rings.\"\u003c\/p\u003e\n\u003cp\u003eFrom the preface:\u003c\/p\u003e\n\u003cp\u003e\"I must acknowledge indebtedness in the first place to Frederick J. Thurston and Alan Frank whose tutor 'The Clarinet,' published by Boosey \u0026amp; Hawkes many years ago, enabled me to embark on the task of teaching myself to play the instrument. The exceptional book 'The Clarinet \u0026amp; Clarinet Playing' by Robert Willaman, published by Carl Fischer in 1944, was also a great help in the early days.\u003c\/p\u003e\n\u003cp\u003eIt soon became apparent that fingering is a profound problem when trying to master the clarinet, and so I perused every book, tutor and fingering chart that came my way, only to find a rather limited set of fingerings scattered amongst various publications. \u003c\/p\u003e\n\u003cp\u003eI therefore set out to compile as exhaustive a collection of fingerings as was practicable, and edit the result into a useable form. This is it!\u003c\/p\u003e\n\u003cp\u003eThe book is, I hope, small enough to be carried in a pocket, or kept, perhaps, in an instrument case, or even perched on a stand with the music. I trust these advantages will compensate for the rather minimal size of the diagrams. \u003c\/p\u003e\n\u003cp\u003eNo attempt has been made to meet the requirements of multiphonic music, etc. These are well catered for in 'New Directions for Clarinet' by Phillip Rehfeldt, published by The University of California Press Ltd. in 1977. \u003c\/p\u003e\n\u003cp\u003eA difficulty I have now is in recalling where all the information came from, many of the inclusions being a result of personal experimentation. I wish to record my thanks to those colleagues and pupils who have directly or indirectly contributed to this work, and in particular to Heather and Marion who have helped in checking the contents, and to Ken who has been so valuable with the printing and production.\"\u003c\/p\u003e\n\u003c!----\u003e","brand":"Queen's Temple Publications","offers":[{"title":"Default Title","offer_id":46122246504698,"sku":"QT49","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img332.jpg?v=1716824278"},{"product_id":"estrin-writing-vandoren-wave-clarinetists-educational-articles-camco","title":"Estrin, Mitchell_Writing the Vandoren WAVE","description":"\u003cp\u003eThe weekly \u003ca href=\"https:\/\/www.dansr.com\/vandoren\/resources\"\u003eVandoren WAVE newsletter\u003c\/a\u003e began publication in 2012, and over the course of a decade, Mitchell Estrin contributed almost 200 educational articles.  Enter \u003cem\u003eWriting the Vandoren Wave,\u003c\/em\u003e a selected and revised collection of Estrin's articles in book form as an enduring resource for clarinetists and music educators for many years to come. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the Foreword by Bernard Van Doren: \u003c\/strong\u003e\u003cbr\u003e\"It is with great pleasure that I welcome you to \u003cem\u003eWriting the Vandoren WAVE \u003c\/em\u003ewritten by Mitchell Estrin. His musical life as an orchestral clarinetist, recording musician, teacher, author, and clarinet ambassador gives him a unique perspective and voice in the world of clarinet. [...] I anticipate you will enjoy reading his book and gain valuable insights to enhance your knowledge, improve your technique, musicianship, and artistry.\"\u003c\/p\u003e\n\u003cp\u003eThe 92 articles are organized into the following categories: \u003cem\u003eFoundation, For the Student, Teaching, Repertoire, Top 10 Lists, Equipment, Notable People and Musical Genres, \u003c\/em\u003eand \u003cem\u003eClarinet Trivia Quizzes.\u003c\/em\u003e  With each article at 1\u003cspan\u003e–\u003c\/span\u003e2 pages long, they are easy to pick up for a brief shot of inspiration or guidance. \u003c\/p\u003e\n\u003cp\u003eA few highlighted subjects: how to prepare for college auditions and recital programs, lesser-known masterpiece clarinet repertoire, guide to winterizing clarinet equipment, and experiences in the commercial recording studio.  See the \u003ca rel=\"noopener\" title=\"Mitchell Estrin Writing the Vandoren WAVE book table of contents\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/Writing_the_WAVE_1.9_table_of_contents.pdf?v=1721696060\" target=\"_blank\"\u003ecomplete table of contents here.\u003c\/a\u003e\u003ca title=\"Mitchell Estrin Writing the Vandoren WAVE book table of contents\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/Writing_the_WAVE_1.9_table_of_contents.pdf?v=1721696060\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWhat clarinetists say about \u003cem\u003eWriting the Vandoren WAVE: \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Mitchell Estrin has created a book that will give everyone an amazing journey into the world of clarinet. I could not put it down until I read every word. BRAVO MITCH!!”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eStanley Drucker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“A wonderful resource for students and educators, this compilation of nearly 100 articles covers a wide variety of topics from clarinet repertoire and history to practical exercises for technical development. An esteemed educator, Mitchell Estrin draws from his immense experience in the field to share his knowledge, advice, and wisdom.”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eJackie Glazier, DM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Mitchell Estrin is a world-class musician, superb artist\/teacher and a tremendous pedagogue. I have enjoyed his articles in the Vandoren WAVE for many years. This collection will serve as a wonderful gift and resource for the entire clarinet community for years to come.”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eCaroline Hartig, DMA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Based on his 50 years of experience in clarinet performance and pedagogy, Mitchell Estrin’s articles for the Vandoren WAVE represent the highest level of mastery and professional expertise. The shared knowledge in the articles provides essential information, and pinpoints important practical solutions for improvement which could be used at any level of clarinet performance and education. Founded on scholarly research and experience in the field, this collection of constructive wisdom stands out at the same level of importance as every clarinetist’s all-time favorite book, Compendium by Daniel Bonade!” \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eVanguel G. Tangarov, DMA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Over the past five decades, our distinguished colleague Mitchell Estrin has made innumerable contributions to the clarinet community. His many articles for the Vandoren WAVE are chock full of valuable information, practical insights, concise tips, and scholarly research, all designed to help us fellow clarinetists become better musicians and performers. Presented in a direct and engaging manner, Prof. Estrin’s articles are a pleasure to read and re-read. I am highly pleased that they are now available all collected together here in this book!”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eJohn Bruce Yeh\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"CAMco","offers":[{"title":"Default Title","offer_id":46442052976890,"sku":"C2116","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img_e95a5b1b-176c-4353-82f6-fbabad64c620.jpg?v=1721695565"},{"product_id":"murphy-clarinet-fingering-chart-chester","title":"Murphy, Brenda_Clarinet Fingering Chart","description":"\u003cp\u003eThis fingering chart is printed on laminated cardstock in a gate fold (6 panels).\u003c\/p\u003e\n\u003cp\u003eIt includes fingering diagrams from low E3 to altissimo A6 (according to Scientific Pitch Notation).  Also included are a visual index of common notational elements (ex: D.C. al Coda, divisi, first and second endings), tips on instrument assembly and care, and a quick reference transposition guide for the clarinet family.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Chester","offers":[{"title":"Default Title","offer_id":46583867801850,"sku":"CH61456","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img621.jpg?v=1724114371"},{"product_id":"anderson-andrus-do-it-yourself-clarinet-hal-leonard","title":"Various_Do-It-Yourself Clarinet","description":"\u003cp\u003eFrom the introduction:\u003c\/p\u003e\n\u003cp\u003e\"Whether you are a new clarinetist or returning after a long break, you will find clear direction here on the best habits to play the clarinet. Our goal is to get you playing music that you know and love as quickly as possible. At the same time, you will be developing proper techniques to sound good as you perform.\"\u003c\/p\u003e\n\u003cp\u003eThe book also includes a unique code for online access to audio, video, a scale guide, and a clarinet fingering chart. The videos comprise a total of 2.5 hours of instruction (spread across 21 videos), and there are audio demonstrations for many of the songs found in the book. \u003c\/p\u003e\n\u003cp\u003eThe contents are divided into 14 lessons, with each introducing new musical and technical concepts: First Notes, Eighth Notes, Accidentals and Key Signatures, Musical Vocabulary, Chromatics and Enharmonics, Sixteenth Notes, Triplets, Putting It All Together, Clarion Register, Connecting Registers, Tempo Changes, Upper Clarion Register, Altissimo Register, Continuing Your Journey.\u003c\/p\u003e\n\u003cp\u003eNew fingerings are progressively introduced, and each concept is executed with a handful of well-known songs. Additionally, there are regularly-appearing short finger exercises (\"Loopy Loops\") which are designed to help reinforce fingerings until they feel automatic. Every lesson ends with a play-along duet, and audio is included for each part independently, so the individual reader can choose either part to play.\u003c\/p\u003e\n\u003cp\u003eThe fingering chart goes from low E3 up to altissimo G6.\u003c\/p\u003e\n\u003cp\u003eThe complete song list appears below:\u003c\/p\u003e\n\u003cp\u003eAddams Family Theme\u003cbr\u003eAin't Misbehavin'\u003cbr\u003eAir On The G String\u003cbr\u003eAll Join Hands\u003cbr\u003eAll You Need Is Love\u003cbr\u003eAlouette\u003cbr\u003eAmerica\u003cbr\u003eAndante Grazioso, K. 331 (Theme)\u003cbr\u003eAnti-Hero\u003cbr\u003eThe Ants Go Marching\u003cbr\u003eAre You Lonesome Tonight?\u003cbr\u003eArirang\u003cbr\u003eAshokan Farewell\u003cbr\u003eAu Clair De La Lune\u003cbr\u003eBaby Elephant Walk\u003cbr\u003eBaby Shark\u003cbr\u003eBad Romance\u003cbr\u003eBatman Theme\u003cbr\u003eBeauty And The Beast\u003cbr\u003eBibbidi-Bobbidi-Boo (The Magic Song)\u003cbr\u003eBlackbird\u003cbr\u003eBound For South Australia\u003cbr\u003eBridge Over Troubled Water\u003cbr\u003eBye Bye Love\u003cbr\u003eCantina Band\u003cbr\u003eCome Sail Away\u003cbr\u003eConcerto In E (Spring) Vivaldi, Op. 8, No. 1\u003cbr\u003eDance Monkey\u003cbr\u003eDanny Boy\u003cbr\u003eDeep River Blues\u003cbr\u003eDetroit City\u003cbr\u003eDo-Re-Mi\u003cbr\u003eDowntown\u003cbr\u003eA Dream Is A Wish Your Heart Makes\u003cbr\u003eEasy On Me\u003cbr\u003eEdelweiss\u003cbr\u003eEight Days A Week\u003cbr\u003eEleanor Rigby\u003cbr\u003eEvery Breath You Take\u003cbr\u003eFais Do-Do (Go To Sleep)\u003cbr\u003eFirework\u003cbr\u003eFollow The Yellow Brick Road\u003cbr\u003eFrere Jacques (Are You Sleeping?)\u003cbr\u003eThe Galway Piper\u003cbr\u003eGlimpse Of Us\u003cbr\u003eHabanera\u003cbr\u003eHanukkah, Oh Hanukkah\u003cbr\u003eHappy Birthday To You\u003cbr\u003eA Hard Day's Night\u003cbr\u003eHe's Got The Whole World In His Hands\u003cbr\u003eHey Jude\u003cbr\u003eHot Cross Buns\u003cbr\u003eI Say A Little Prayer\u003cbr\u003eIn The Good Old Summertime\u003cbr\u003eItsy Bitsy Teenie Weenie Yellow Polkadot Bikini\u003cbr\u003eJames Bond Theme\u003cbr\u003eTheme From “Jaws”\u003cbr\u003eJingle Bells\u003cbr\u003eJoy To The World\u003cbr\u003eTheme From “Jurassic Park”\u003cbr\u003eKarma Chameleon\u003cbr\u003eKlezmer Contra\u003cbr\u003eLa Fille Aux Cheveux De Lin (The Girl With The Flaxen Hair)\u003cbr\u003eLean On Me\u003cbr\u003eLeaving Of Liverpool\u003cbr\u003eLet's Go Fly A Kite\u003cbr\u003eLiberty Bell March\u003cbr\u003eLift Me Up\u003cbr\u003eLinus And Lucy\u003cbr\u003eThe Lion Sleeps Tonight\u003cbr\u003eLondon Bridge\u003cbr\u003eLove Me Do\u003cbr\u003eLove Me Tender\u003cbr\u003eMade You Look\u003cbr\u003eMake New Friends\u003cbr\u003eMamma Mia\u003cbr\u003eMary And Martha\u003cbr\u003eMerrily We Roll Along\u003cbr\u003eMission: Impossible Theme\u003cbr\u003eMoonlight Serenade\u003cbr\u003eThe Mulberry Bush\u003cbr\u003eThe Music Of The Night\u003cbr\u003eMy Bonnie Lies Over The Ocean\u003cbr\u003eMy Dreidel\u003cbr\u003eMy Favorite Things\u003cbr\u003eMy Heart Will Go On (Love Theme From 'Titanic')\u003cbr\u003eNorwegian Wood (This Bird Has Flown)\u003cbr\u003eNowhere Man\u003cbr\u003eOb-La-Di, Ob-La-Da\u003cbr\u003eOde To Joy\u003cbr\u003eOne Call Away\u003cbr\u003eThe Orchestra Song\u003cbr\u003eOver The Rainbow\u003cbr\u003ePart Of Your World\u003cbr\u003ePerfect\u003cbr\u003ePiano Man\u003cbr\u003ePick-A-Little, Talk-A-Little\/Goodnight Ladies\u003cbr\u003eThe Pink Panther\u003cbr\u003eRock Around The Clock\u003cbr\u003eRondo\u003cbr\u003eRow, Row, Row Your Boat\u003cbr\u003eShallow\u003cbr\u003eShenandoah\u003cbr\u003eShepherds Hey\u003cbr\u003eSimple Gifts\u003cbr\u003eThe Sleigh Ride\u003cbr\u003eStar Wars (Main Theme)\u003cbr\u003eStormy Weather (Keeps Rainin' All The Time)\u003cbr\u003eStranger On The Shore\u003cbr\u003eThe Stripper\u003cbr\u003eSupercalifragilisticexpialidocious\u003cbr\u003eTake Five\u003cbr\u003eTequila\u003cbr\u003eTideo\u003cbr\u003eTurn! Turn! Turn! (To Everything There Is A Season)\u003cbr\u003eWe Are The Champions\u003cbr\u003eWe Will Rock You\u003cbr\u003eWe're Off To See The Wizard\u003cbr\u003eWhat A Wonderful World\u003cbr\u003eWhat The World Needs Now Is Love\u003cbr\u003eWhen I'm Sixty-Four\u003cbr\u003eWhen The Saints Go Marching In\u003cbr\u003eWhistle While You Work\u003cbr\u003eWilliam Tell Overture\u003cbr\u003eWipe Out\u003cbr\u003eYakety Yak\u003cbr\u003eYesterday\u003cbr\u003eY.M.C.A.\u003cbr\u003eYou Belong With Me\u003cbr\u003e\u003c\/p\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":47071434670330,"sku":"00368349","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img01_08a0942d-1fcd-4a2a-b151-e9daff73ad06.jpg?v=1737565591"},{"product_id":"caravan-preliminary-contemporary-techniques-clarinet-ethos","title":"Caravan, Ronald_Preliminary Exercises \u0026 Études in Contemporary Techniques for Clarinet","description":"\u003cp\u003eFrom the composer:\u003cbr\u003e\"The sound resources of woodwind instruments became significantly expanded during the second half of the twentieth century. Among numerous unconventional techniques composers have used are multiphonics (production of more than one audible tone simultaneously), quarter tones, timbre variation, glissando, portamento, vibrato manipulation, non-traditional methods of attack and release, percussive effects, vocal sounds, and air sounds. Once the peculiarities of a few experimenters and jazz musicians, unconventional sounds have become accepted as viable material for contemporary serious composition.\u003c\/p\u003e\n\u003cp\u003eThe purpose of this volume is to provide material that may assist the clarinetist in developing flexibility with some of the non-traditional techniques often required in the performance of contemporary music. The exercises and etudes contained here deal principally with three techniques that typically involve unconventional fingerings\u003cspan\u003e—\u003c\/span\u003evariation of timbre, quarter-tone production, and the performance of multiple sonorities, or multiphonics. Fingering diagrams are included throughout this study material to guide the clarinetist in producing the various sounds as they occur in the notation, as is generally the case with most literature utilizing such techniques. A key to the fingering diagrams, which are designed to be as practical and immediately communicative to the performer as possible, is provided.\u003c\/p\u003e\n\u003cp\u003eThe material in this volume is divided into three basic sections. The first deal with timbre variation, the second with quarter tones, and the third with multiphonics. There is no set, prescribed manner as to how one should proceed through the book; one might work in all three sections simultaneously, or go from the beginning to the end in the order printed. In the event one would choose to do the latter, the effectiveness of this course might be enhanced by the fact that the first section (timbre variation) presents primarily a technical challenge (i.e., getting used to reading the fingering diagrams at sight), the second (quarter tones) adds more of an aural challenge, and the third (multiphonics) additionally introduce a much greater challenge to the performer's tone-production flexibility.\u003c\/p\u003e\n\u003cp\u003eFor the fairly advanced student who possesses good basic playing habits, the material in this volume may be able to serve as appropriate introduction to the unconventional sounds involved. In my own teaching experience, utilizing many of these exercises and etudes in this way, I have even had students present some of the etudes in informal studio class performances, providing a good introductory experience in performing with sounds that are generally quite new to them.\u003c\/p\u003e\n\u003cp\u003eThere is an important warning I feel must be rendered to the student clarinetist who may be approaching unconventional techniques such as these for the first time. I suggest that material such as this is not something to be dealing with unless there already exists, presumably through more traditional studies and disciplines, a reasonable degree of solidification of basic clarinet tone production and technique. Particularly with regard to the study of multiphonics, these unconventional sound often involve significant and complex deviations from normal tone-production habits\u003cspan\u003e—\u003c\/span\u003epotentially healthy deviations in the context of a well-established, disciplined technique, but potentially unhealthy deviations if undertaken before fundamentals are solidified.. The student who lacks consistency and good habits with basic aspects, such as proper breathing and abdominal support, embouchure and articulation, would be well advised to delay studies in unconventional sounds until a later time.\u003c\/p\u003e\n\u003cp\u003eBest wishes, and, by all means, enjoy the study and performance of these fascinating sounds!”\u003c\/p\u003e","brand":"Ethos Publications","offers":[{"title":"Default Title","offer_id":47190056337658,"sku":"ETHRCPEEICT","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img637copy.jpg?v=1741885134"},{"product_id":"rehfeldt-new-directions-for-clarinet","title":"Rehfeldt, Phillip_New Directions for Clarinet","description":"\u003cp\u003e\"Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience.\u003c\/p\u003e\n\u003cp\u003eThe new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the \"International Update\"; and an updated and annotated bibliography of music literature.\"\u003c\/p\u003e","brand":"Scarecrow Press","offers":[{"title":"Default Title","offer_id":47302127812858,"sku":"9780520033795","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/imgcopy_a1d72408-e5c7-448a-b532-8fd29089ac58.jpg?v=1746650999"},{"product_id":"ryan-mihaly-b-flat-clarinet-fingering-chart-poetry","title":"Mihaly, Ryan_B-flat Clarinet Fingering Chart","description":"\u003cp\u003eFrom the author:\u003c\/p\u003e\n\u003cp\u003e\"These poems offer the aspiring clarinetist a series of visions and techniques to summon the imagination and let it rule the music. Like a traditional fingering chart, the poems indeed treat the reader as a clarinet student. They offer guidance and tips. Of course, you do not need to be a clarinet student to read them—maybe the charts and poems are interesting enough. Some of these pieces were written at a desk with the clarinet on my mind, others with the clarinet between my knees.\"\u003c\/p\u003e","brand":"New Michigan Press","offers":[{"title":"Default Title","offer_id":47302285787386,"sku":"9781934832851","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/imgcopy_81d9ff00-2f5d-4d4c-899b-4949f0ca036c.jpg?v=1746653352"},{"product_id":"jean-marc-volta-bass-clarinet-method-imd","title":"Volta, Jean-Marc_La Clarinette Basse: Methode","description":"","brand":"International Music Diffusion","offers":[{"title":"Default Title","offer_id":48334541390074,"sku":"IMD193","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img420_copy.jpg?v=1771279273"},{"product_id":"lefevre-clarinet-method-book-1-ricordi","title":"Lefèvre, Jean-Xavier_Method for Clarinet, Book 1 of 3","description":"\u003cp\u003eThe other volumes are available here:\u003ca href=\"\/products\/lefevre-clarinet-method-book-1-ricordi\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"\/products\/lefevre-method-for-clarinet-book-2-ricordi\"\u003eBook 2\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"\/products\/lefevre-clarinet-method-book-3-ricoridi\"\u003eBook 3\u003c\/a\u003e\u003c\/p\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":48344771657978,"sku":"ER2035","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img437_copy.jpg?v=1771348661"},{"product_id":"lefevre-clarinet-method-imd","title":"Lefèvre, Jean-Xavier_Method for Clarinet","description":"","brand":"International Music Diffusion","offers":[{"title":"Default Title","offer_id":48747234132218,"sku":"IMD937","price":43.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img700copy.jpg?v=1776958928"},{"product_id":"clarinet-fingering-chart-mel-bay","title":"Bay, William_Clarinet Fingering Chart","description":"","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":48994196783354,"sku":"MB93894","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img328copy.jpg?v=1781179505"},{"product_id":"eric-nelson-clarinet-fingering-scale-chart-mel-bay","title":"Nelson, Eric_Clarinet Fingering and Scale Chart","description":"","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":48994198421754,"sku":"MB20397","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2337\/0861\/files\/img325copy_2a1cfe61-d1aa-48c2-a062-690deab69bb1.jpg?v=1781179779"}],"url":"https:\/\/www.clarinetallmusic.com\/collections\/fingerings.oembed?page=2","provider":"CAMco Music, LLC","version":"1.0","type":"link"}